By now you know how much Astrid and I LOVE LOVE LOVE the interiors of European churches. Verona was an absolute gold mine, perhaps more than any other city thus far, and today's post is a feel for it's three basilicas.
You may recall earlier that I've made a distinction between churches, cathedrals and basilicas, which you can freshen up on here. The main thing about basilicas is that the Pope is the one who designates them as such.
Then you have the difference between major and minor basilicas. There are only four major basilicas in the world, all of which are in Rome. So the three basilicas here in this post are, naturally, all minor.
The order in which we visited the three are the same order of the red dots, left to right.
1. The San Zeno Maggiore Basilica
This was the basilica we visited our first afternoon in Verona, after passing the Castelvecchio.
It was built between 1120 and 1138 as Northern Italy's most ornate Romanesque church.
The striped brickwork is typical of Romanesque buildings in Verona.
The nave is...heavenly!
Frescoes are everywhere.
You climb a few steps up to enter the altar area.
You climb a few steps down to the crypt below the main floor.
The inside bronze door panels at the front of the church are alone worth the visit,
depicting Biblical stories and scenes from the life of San Zeno, Verona's patron saint,
who died in 380.
2. The San Lorenzo Basilica
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| The next day, on the way to the Castelvecchio museum and bridge, we walked past this church and decided to see if it was open, not knowing it was a basilica. Present since the 4th century, it was rebuilt after an earthquake in the 12th century.  Small and cozy.   it had no number referenced as a major landmark to see. Imagine my surprise to find out the Pope had designated it a basilica.
3. The Sant'Anastasia Basilica
Later that afternoon, we visited the Sant'Anastasia basilica, begun in 1290.
By now we knew the outside look could be deceiving, which it definitely was.
OMG. And so totally different from San Zeno.
Worshiping there would be a constant invitation to Look Up.
Alcoves surrounded the nave.
Pews/benches invited you to sit and just be.
The sacristy at the side of the altar was like a chapel.
So many things to see. We were short of eyes.
But what thrilled me most were the hunchback beggars holding up the holy water stoups.
One was carved in 1495 (this one, I think?) and the other a century later.
You've heard me say this before: these European churches are our museums,
the ones we choose to visit when we travel.
You can see why!
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