The "Laugh Now" Banksy Exhibition at the Moco Museum

When it was exactly that I learned about Banksy, the "anonymous England-based street artist, vandal, political activist, and film director, active since the 1990s," I don't know.  But once I discovered his art, probably once I moved here to the Netherlands 10 years ago today (!), I immediately recognize him wherever we're lucky enough to see him.

This is in Bristol back in 2014 on one of our walks.

It's where Banksy started his graffiti art, in 1990-94.

Here's another one, in Passau, Germany, while on our Viking River Cruise, 2013.

So, yes, I pay attention, wanting to see as much of his work as possible.

When Astrid and I first saw there was a "Laugh Now" Banksy exhibition at the Moco Museum in Amsterdam, we knew it would be a must-see one day.  That "one day" was last Thursday, America's Thanksgiving Day, when we also had reservations for a traditional Thanksgiving meal at Hard Rock Café, just a 5-minute walk away from the museum (which you can see at the bottom of this post).

But, back to Banksy.  We are so glad we we got to see this Laugh Now exhibition, even though not authorized by Banksy or curated in collaboration with him.  Lucky for us, photos were allowed, without flash.

The Moco Museum, opened in 2016, is on Amsterdam's Museumplein, facing the Rijksmuseum.

The following 35 pieces are Banksy's less-exposed mostly indoor pieces on loan from collectors around the world and are presented here in the order in which I saw them, with captions to give their titles and dates.  Some have write-ups which I condensed from placards next to the piece.

[Note:  most of the black frames I have added myself.]

Nola (Orange Rain), 2008

New Orleans, Louisiana (NOLA), is still recovering after 2 hurricanes since 2005.

In this mural Banksy shows an innocent young girl seeking protection from the rain,

only to realize the umbrella is the source of the problem.

Banksy says that some of the things meant to protect us end up harming us.

Rude Copper, 2002

Home Sweet Home, 2006

Cardinal Sin, 2006

Wrath, sloth, gluttony, greed, envy, pride and lust are the 7 deadly sins

as taught by Christian tradition, referred to as cardinal sins.

Banksy uses the bust of a Cardinal with it's face blurred with tiles like a criminal, 

reflecting the numerous sex offenses committed by members of the church against children.

Kate Moss, 2005

In 2011 Banksy created an edition of this work as a wedding gift to Kate Moss,

which was hanging in her bathroom when she returned from her honeymoon.

Banksy's Kate Moss Collection is based on Andy Warhol's iconic Marilyn Monroe Series.

Angry Crows, 2003

Kids on Guns, 2003

Monkey Poison, 2004

Crude Oil Jerry, 2004

Banksy "corrupts" oil paintings he finds as a defiant act of painterly intervention, to undermine

the hallowed traditions of the Western art canon, "transforming the cultural markers of a wealthy

 and privileged elite into visually immediate puns accessible to the widest possible audience."

Picasso Quote, 2009

Gasmask Boy, 2009

Di Faced Tenner, 2004

Banksy printed one million pounds of Di Faced tenners as a play on "defaced,"

substituting the Queen's face with that of Princess Diana.

The altered bill also features the words "Banksy of England."

Raising the Steaks, 2001

Love is in the Air (Flower Thrower), 2005

The subject, who appears to be involved in a riot, is throwing a bouquet of flowers

instead of a Molotov cocktail.  The flowers, replacing a weapon, 

portray peace and hope instead of destruction.

Girl with Balloon (on metal), 2003

Smiling Copper, 2002

The face of the riot policeman is hidden behind an acid-bright yellow smiley face.

He doesn't have ears to hear the voice of the crowd; he faces their problems with a smile.

Banksy wants us to listen to the message of the angry crowd, 

and think about the mask we're wearing in this capitalistic system. 

Battle of the Beanfield, 2009

The Battle of the Beanfield took place on June 1, 1985, in Wiltshire, England, when police

prevented a convoy of 600 New Age travelers from setting up the Stonehenge Free Festival.

1,300 police were involved in several attacks, clubbing anyone they could reach,

including pregnant women and those holding children.

It was one of the largest mass arrests of civilians since WWII.

Graffiti Quote, 2011

Forgive us our Trespassing, 2010
"Forgive us our trespasses" is the 7th sentence of the Lord's Prayer/Our Father.

Trespassing is strongly associated with graffiti and street art,
when street artists often have to trespass on private property to tag certain walls.

Rude Copper, 2009

Banksy sheds light on his view of the power of the establishment.

Does this cop care about the people he is supposed to protect?

David Bullet Hole Bust, 2006

"Keep it Real" Monkey, 2003

This is a unique paste-up, with assistant Chu, of a series of 4 pieces interrupted by the police.

This piece is the most exclusive of the 4 because this monkey has wings and has the Banksy red tag.

Laugh Now Panel A, 2002

Laugh Now wall mural, 2003

Monkey Detonator, 2002

Watchtower (olive wood), 2007

Family Target, 2003

Graff, 2002

[excuse the window reflections, which I didn't try to remove]

Che Guevara, 2000

Silence of the Lamb, 2002

Barcode Leopard, 2002

Banksy wants us to ask questions about what this Barcode Leopard means.

Is it about the capitalist industry taking over our natural habitat?

Is he protesting illegal leopard trading?

Are we all just numbers?

Christ with Shopping Bags, 2004

A satire on values, perception and the transformation of the Christmas holiday, 

this work reflects an outrage at the level of consumerism during a time meant

for focusing on Christian values, charity and giving.

Double Monkey, 2002

Leonardo DaVinci's "Mona Lisa Pink," 2001

This mash-up is of the classic Leonardo DaVinci and the pop style of Andy Warhol.

Girl with Balloon (on canvas), 2003

This continues to be one of Banksy's most iconic artworks in multiple variations.

In one variation, the words "there is always hope" features behind the girl.

The girl is reaching for the balloon, which symbolizes love.

Hope is essential for living in bleak circumstances, when love seems out of reach.

It was the perfect piece to end our Banksy education!

♥ ♥ ♥ ♥ ♥

From the Moco Museum we walked 5 minutes to the Hard Rock Café for our Thanksgiving meal, which was every bit as good, if not better than we expected:

Everything was seasoned perfectly and good enough to do again next year.

We even had leftovers for a meal the next day!